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Poems of the Great War Page 3
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beyond the ridge,
Knowing their feet had
come to the end of the
world.
Marvelling they stood, and
watched the long grass
swirled
By the May breeze,
murmurous with wasp
and midge,
For though the summer
oozed into their veins
Like the injected drug for
their bones’ pains,
Sharp on their souls hung
the imminent line of
grass,
Fearfully flashed the sky’s
mysterious glass.
Hour after hour they
ponder the warm field –
And the far valley behind,
where the buttercups
Had blessed with gold their
slow boots coming up,
Where even the little
brambles would not yield,
But clutched and clung to
them like sorrowing
hands;
They breathe like trees
unstirred.
Till like a cold gust thrilled
the little word
At which each body and its
soul begird
And tighten them for battle.
No alarms
Of bugles, no high flags, no
clamorous haste —
Only a lift and flare of eyes
that faced
The sun, like a friend with
whom their love is done.
O larger shone that smile
against the sun, —
Mightier than his whose
bounty these have
spurned.
So, soon they topped the
hill, and raced together
Over an open stretch of
herb and heather
Exposed. And instantly the
whole sky burned
With fury against them; and
soft sudden cups
Opened in thousands for
their blood; and the green
slopes
Chasmed and steepened
sheer to infinite space.
Of them who running on
that last high place
Leapt to swift unseen
bullets, or went up
On the hot blast and fury of
hell’s upsurge.
Or plunged and fell away
past this world’s verge,
Some say God caught them
even before they fell.
But what say such as from
existence’ brink
Ventured but drave too
swift to sink.
The few who rushed in the
body to enter hell,
And there out-fiending all
its fiends and flames
With superhuman
inhumanities,
Long-famous glories,
immemorial shames —
And crawling slowly back,
have by degree
Regained cool peaceful air
in wonder —
Why speak they not of
comrades that went
under?
—1918
Wilfred Gibson
(1878–1962)
Air-Raid
Wilfred Gibson
Night shatters in mid-
heaven: the bark of guns,
The roar of planes, the
crash of bombs, and all
The unshackled skiey
pandemonium stuns
The senses to indifference,
when a fall
Of masonry nearby startles
awake,
Tingling, wide-eyed,
prick-eared, with
bristling hair,
Each sense within the body,
crouched aware
Like some sore-hunted
creature in the brake.
Yet side by side we lie in the
little room
Just touching hands, with
eyes and ears that strain
Keenly, yet dream-
bewildered, through
tense gloom,
Listening, in helpless
stupor of insane
Cracked nightmares panic,
fantastically wild,
To the quiet breathing of
our sleeping child.
—1919
Ivor Gurney
(1890–1937)
To the Poet Before Battle
Ivor Gurney
Now, Youth, the hour of thy
dread passion comes,
Thy lovely things must all
be laid away;
And thou, as others, must
face the riven day
Unstirred by the tattle and
rattle of rolling drums,
Or bugles’ strident cry.
When mere noise numbs
The sense of being, the
fear-sick soul doth sway,
Remember thy great craft’s
honour, that they may say
Nothing in shame of Poets.
Then the crumbs
Of praise the little
versemen joyed to take
Shall be forgotten; then
they must know we are,
For all our skill in words,
equal in might
And strong of mettle as
those we honoured; make
The name of Poet terrible in
just War,
And like a crown of honour
upon the fight.
—1915
Pain
Ivor Gurney
Pain, pain continued; pain
unending;
Hard even to the roughest,
but to those
Hungry for beauty . . . Not
the wisest knows,
Nor most pitiful-hearted,
what the wending
Of one hour’s way meant.
Grey monotony lending
Weight to the grey skies,
grey mud where goes
An army of grey bedrenched
scarecrows in rows
Careless at last of cruellest
Fate-sending.
Seeing the pitiful eyes of
men foredone,
Or horses shot, too tired
merely to stir,
Dying in shell-holes both,
slain by the mud.
Men broken, shrieking even
to hear a gun. —
Till pain grinds down, or
lethargy numbs her,
The amazed heart cries
angrily out on God.
—1917
The Dearness of Common Things
Ivor Gurney
The dearness of common
things,
Beech wood, tea, plate
shelves,
And the whole family of
crockery,
Woodaxes, blades, helves.
Ivory milk, earth’s coffee,
The white face of books
And the touch, feel, smell of
paper,
Latin’s lovely looks.
Earth fine to handle.
The touch of clouds
When the imagined arm
leaps out to caress
Grey worsted or wool
clouds.
Wool, rope, cloth, old pipes
Gone warped in service
And the one herb of tobacco,
The herb of grace, the censer
weed
Of blue whorls, finger-traced
curves —
The touch of sight how
strange and marvellous
To any blind man pierced
through his opaque,
When concrete objects grow.
—1919–1922
The Target
Ivor Gurney
&nb
sp; I shot him, and it had to be
One of us! “Twas him or me.
Couldn’t be helped,’ and
none can blame
Me, for you would do the
same.
My mother, she can’t sleep
for fear
Of what might be
a-happening here
To me. Perhaps it might be
best
To die, and set her fears at
rest.
For worst is worst, and
worry’s done.
Perhaps he was the only
son . . .
Yet God keeps still, and
does not say
A word of guidance any way.
Well, if they get me, first I’ll
find
That boy, and tell him all
my mind,
And see who felt the bullet
worst,
And ask his pardon, if I
durst.
All’s a tangle. Here’s my job.
A man might rave, or shout,
or sob;
And God He takes no sort of
heed.
This is a bloody mess
indeed.
—1917
First Time In
Ivor Gurney
After the dread tales and
red yarns of the Line
Anything might have come
to us; but the divine
Afterglow brought us up to
a Welsh colony
Hiding in sandbag ditches,
whispering consolatory
Soft foreign things. Then we
were taken in
To low huts candle-lit,
shaded close by slitten
Oilsheets, and there the
boys gave us kind
welcome;
So that we looked out as
from the edge of home.
Sang us Welsh things, and
changed all former
notions
To human hopeful things.
And the next day’s guns
Nor any line-pangs ever
quite could blot out
That strangely beautiful
entry to war’s rout;
Candles they gave us,
precious and shared
over-rations —
Ulysses found little more in
his wanderings without
doubt.
‘David of the White Rock’,
the ‘Slumber Song’ so
soft, and that
Beautiful tune to which
roguish words by Welsh
pit boys
Are sung — but never more
beautiful than here under
the guns’ noise.
—1916
Robert Graves
(1895–1985)
When I’m Killed
Robert Graves
When I’m killed, don’t think
of me
Buried there in Cambrin
Wood,
Nor as in Zion think of me
With the Intolerable Good.
And there’s one thing that I
know well,
I’m damned if I’ll be
damned to Hell!
So when I’m killed, don’t
wait for me,
Walking the dim corridor;
In Heaven or Hell, don’t
wait for me,
Or you must wait for
evermore.
You’ll find me buried,
living-dead
In these verses that you’ve
read.
So when I’m killed, don’t
mourn for me,
Shot, poor lad, so bold and
young,
Killed and gone – don’t
mourn for me.
On your lips my life is hung:
O friends and lovers, you
can save
Your playfellow from the
grave.
—1916
The Assault Heroic
Robert Graves
Down in the mud I lay,
Tired out by my long day
Of five damned days and nights,
Five sleepless days and
nights, . . .
Dream-snatched, and set
me where
The dungeon of Despair
Looms over Desolate Sea,
Frowning and threatening
me
With aspect high and
steep —
A most malignant keep.
My foes that lay within
Shouted and made a din,
Hooted and grinned and
cried:
“Today we’ve killed your
pride;
Today your ardour ends.
We’ve murdered all your
friends;
We’ve undermined by
stealth
Your happiness and your
health.
We’ve taken away your
hope;
Now you may droop and
mope
To misery and to Death.’
But with my spear of Faith,
Stout as an oaken rafter,
With my round shield of
laughter,
With my sharp, tongue-like
sword
That speaks a bitter word,
I stood beneath the wall
And there defied them all.
The stones they cast I
caught
And alchemized with
thought
Into such lumps of gold
As dreaming misers hold.
The boiling oil they threw
Fell in a shower of dew,
Refreshing me; the spears
Flew harmless by my ears,
Struck quivering in the sod;
There, like the prophet’s
rod,
Put leaves out, took firm
root,
And bore me instant fruit.
My foes were all astounded,
Dumbstricken and
confounded,
Gaping in a long row;
They dared not thrust nor
throw.
Thus, then, I climbed a
steep
Buttress and won the keep,
And laughed and proudly
blew
My horn, ‘Stand to! Stand
to!
Wake up, sir! Here’s a new
Attack! Stand to! Stand to!’
—1918
Corporal Stare
Robert Graves
Back from the line one
night in June,
I gave a dinner at Bethune—
Seven courses, the most
gorgeous meal
Money could buy or batman
steal.
Five hungry lads welcomed
the fish
With shouts that nearly
cracked the dish;
Asparagus came with
tender tops,
Strawberries in cream, and
mutton chops,
Said Jenkins, as my hand he
shook,
“They’ll put this in the
history book.”
We bawled Church anthems
in choro
Of Bethlehem and Hermon
snow,
With drinking songs, a jolly
sound
To help the good red
Pommard round.
Stories and laughter
interspersed,
We drowned a long La
Bassée thirst—
Trenches in June make
throats damned dry.
Then through the window
suddenly,
Badge, stripes and medals
all complete,
We saw him swagger up the
street,
&n
bsp; Just like a live man—
Corporal Stare!
Stare! Killed last May at
Festaubert.
Caught on patrol near the
Boche wire,
Torn horribly by machine-
gun fire!
He paused, saluted smartly,
grinned,
Then passed away like a
puff of wind,
Leaving us blank
astonishment.
The song broke, up we
started, leant
Out of the window—nothing
there,
Not the least shadow of
Corporal Stare,
Only a quiver of smoke that
showed
A fag-end dropped on the
silent road.
—1918
Recalling War
Robert Graves
Entrance and exit wounds
are silvered clean,
The track aches only when
the rain reminds.
The one-legged man forgets
his leg of wood,
The one-armed man his
jointed wooden arm.
The blinded man sees with
his ears and hands
As much or more than once
with both his eyes.
Their war was fought these
twenty years ago
And now assumes the
nature-look of time,
As when the morning
traveller turns and views
His wild night-stumbling
carved into a hill.
What then, was war? No
mere discord of flags
But an infection of the
common sky
That sagged ominously
upon the earth
Even when the season was
the airiest May.
Down pressed the sky, and
we, oppressed, thrust out
Boastful tongue, clenched
fist and valiant yard.
Natural infirmities were out
of mode,
For Death was young again;
patron alone
Of healthy dying,
premature fate-spasm.
Fear made fine bed-fellows.
Sick with delight
At life’s discovered
transitoriness,
Our youth became all-flesh
and waived the mind.
Never was such antiqueness
of romance,
Such tasty honey oozing
from the heart.
And old importances came
swimming back —
Wine, meat, log-fires, a roof
over the head,
A weapon at the thigh,
surgeons at call.
Even there was a use again
for God —
A word of rage in lack of
meat, wine, fire,
In ache of wounds beyond